SEKUKUNY

Floating Venera islands, cover of the Soviet magazine "Technology for young people" 1971 I’m not incredibly attracted to ideas of interplanetary human migration and exploration—and not because I’m opposed to space exploration. Rather, it’s the scarcity of human-friendly planetary environments out there that does it for me. I do not know whether humanity’s future lies in the cosmos, but I do know that human-aided machines have sustained and advanced the presence of Earth-origi

European Union's foreign policy chief Josep Borrell speaks at the launch of European Diplomatic Academy, October 13, 12022 Read Michael Wang’s commissioned essay for HABITABLE ZONES, “The Alien Earth: Bogosi Sekhukhuni” a little bit about the functions of gardens. I wonder about the kinds of societal uses that hegemonic projects map onto garden architectures. More often than not, gardens are communication tools. Amongst what is commonly expressed is a love and admiration of

Installation view of Positions #7: Everything worthwhile is done with other people, Van Abbemuseum, Eindhoven, The Netherlands, 2023. Photo: Peter Cox Using a geo-socio-logical approach to Colonial, Indigenous, and Non-Western astronomical records and insight, a kind of cosmo-coloniality is engaged with. This project begins with archeo-astronomical research on the horological significance of comets in Precolonial, Indigenous astronomy. This is one of a multitude of systems i

*full text available here The Afri-descendent and Indigenous character navigating environments of dominant histories - working both with and at odds with the spacetimes they exist in - has a growing representation in media cultures. A recent example is a character called The Protagonist in Christopher Nolan’s TENET. I have been thinking about temporal corollaries between The Protagonist and Client Zero from my video work, Simunye Systems Orientation Video, the season two stor